"Let's Go Surfing" / The Drums

For years I resisted Spotify and now I'm a convert. Because Spotify gives me what iTunes used to and no longer does: User-created playlists. Some of my favorite artists today I only know because of iTunes user playlists. So how happy am I that I can now discover totally new-to-me songs like this 2009 indie pop gem?

Who are the Drums? I'd never heard of them before this song swam onto my radar. They're an NYC band founded in 2008, and this is the first track from their debut EP Summertime! (They've since released five albums; band members come and go, but the one constant is front man Jonny Pierce.) I haven't yet got around to exploring the rest of their music, I'm still just grooving on this track. Apparently it made more of a splash in the UK than here; go figure. 

I dig that peppy backbeat rhythm track, with its retro New Wave energy, and how it plays against the legato melodic line of the verses. Pierce's vocal coaxes us, "Wake up, / It's a beautiful morning" and I'm ready to go. The chorus swerves into plaintive punk-y mode ("Oh mama / I wanna go surfing / Oh mama / I don't care about nothing"), then turns a little dazed and confused in the chanted monotonic bridge ("Down down baby / down by the rollercoaster"). It's all hooks all the time, and I love it. 

And the best thing about this damn song? That earworm whistling riff.

It's just fun, just pure fun. Enjoy.

 

 

"Sway" / Dean Martin

How did I get here? I have no idea. We've been working our way through the classic TV series The Sopranos, which sneaks in a ton of iconic Frankie and Deano music, and a recent episode of the adorably quirky What We Do in the Shadows features a faux Rat Pack. But this particular Dean Martin track was already on my iTunes, and every time I listen to it I fall more in love with it. 

Now, I greatly admire the work of Francis Albert Sinatra, and I feel a fond buzz for Sammy Davis Jr. But Dean Martin is my Rat Pack fave. I mean, listen to the warmth of that voice, those emotive swoops and shivers. That mambo rhythm is so freaking seductive, and Dean's delivery adds an extra shiver of excitement. ("When we sway I go weak..."). Is it overproduced? Yeah, maybe, but I wouldn't give up those strings for anything.

"You know how, sway me smooth, sway-hay me now..."

"Sway" is Dean before he became enshrined as Deano, when he was still known mostly as Jerry Lewis' straight man. (Yet another mind-blowing layer of Dean Martin's career.) While Martin was one of many 50s Italian crooners, this song isn't Italian at all; it was written as "Quien Sera?" in 1953 by Mexican bandleader Pablo Beltran Ruiz, rewritten with English lyrics by Norman Gimbel (who a decade later would translate for us "The Girl from Ipanema"). Martin recorded it soon after the original, in 1954. It wasn't his biggest hit ever -- for that, you'd have to go to his schmaltzy 1963 "Everybody Loves Somebody Sometime" -- but it did hit a respectable #15 in the US. And for my money, this sexy supple number blows that hit out of the water.

Because the wink-wink was always Dean Martin's ace in the hole. Sinatra was ineffably cool, Davis was earnest, Martin was ironic. He had to be ironic to stand up against Jerry Lewis' full-frontal low-brow comedy; in the Matt Helm movies, he was the ironic anti-Bond. His weird and wonderful late 60s-early 70s TV show The Dean Martin Show was, I firmly believe, a groundbreaking post-Laugh In send-up of the variety show genre. He cultivated a drunk persona to give himself room to be loose, to improvise, to be in real time.

The irony here is all flirtation, of course, the engaging to-and-fro of the mambo. Yet it feels remarkably sincere, doesn't it? I love it. I hope you do too.