Showing posts with label new york dolls. Show all posts
Showing posts with label new york dolls. Show all posts

Sunday, October 03, 2010

Sunday Shuffle

Hunh?  Well, I was on the phone all day Wednesday with my new Norton friends, plucking out a virus from the bowels of my computer.  Best laid plans and all that. But who's to say we can't take the Shuffle out for a Sunday drive?

1. "My Love" / Paul McCartney and Wings
From Red Rose Speedway (1993)
Now, you know I love Paul McCartney.  But this song may be too schmaltzy even for me. Gorgeous melody, hideously overblown production, embarrassingly adolescent lyrics. What exactly is IT that his love does so well (or, excuse me, so "good")?  As if we couldn't guess.

2. "Secondary Modern" / Elvis Costello and the Attractions
From Get Happy! (1980)
And now the antithesis of schmaltz -- Get Happy!, my favorite EC album. This song always makes me think of a creepy janitor ("down in the basement") molesting high school girls. Just listen to Elvis' heavy-breathing vocal, and that stalker bass line.  How this manages to be such a fun track is beyond me.

3. "Personality Crisis" / The New York Dolls
From New York Dolls (1972)
More snarky fun. I completely missed the Dolls, but it doesn't really matter when you got on the David Johansen train -- once you're aboard, it's time for fun. Arch those eyebrows, honey. Who knew drag queens could rock out like this?

4. "Let's Pretend" / Greg Trooper
From The Williamsburg Affair(2010)
Time to dial down the irony now.  "Let's go down where the rivers meet / And pretend we never moved to Lonely Street" -- behind this gently rollicking roots rocker lies a ton of wistful wishful thinking. Like "Dead End Street" with less satire, a tale of two losers still trying to live on love. 

5. "Get Back" / The Beatles
From Let It Be (1970)
Proof that Paul McCartney doesn't need to wallow in schmaltz.  A part of me will always be on that Mayfair rooftop, with John Lennon in his fur coat and Paul in full black beard, treating London to the greatest free concert ever.  Get back, Loretta!

6. "D Is for Dangerous" / The Arctic Monkeys
From Favourite Worst Nightmare (2007)
When the first Arctic Monkeys album came out, British critics were raving that they were the best band ever.  Well, here's the acid test -- just listen to the Arctic Monkeys right after the Beatles.  It's no contest.  A nice hectic bit of BritPop, though, and I do love those thick guttural accents.  

7. "Pink Bedroom" / John Hiatt
From Two Bit Monsters (1979)
Didn't we have this on the last Shuffle?  The iPod must really like early Hiatt. Well, her bedroom's still pink -- and so is the Barbie Ferrari.

8. "Think Sometimes About Me" / Sandie Shaw
From The Collection (compilation)
Now here's schmaltz done right.  Those 60s girl singers were never afraid of drama -- listen to the lovely Sandie fling her heart into the ring, making that ex-boyfriend wonder why he left her.

9. "Indoor Fireworks" / Nick Lowe and Elvis Costello
From Live At Slims (1994)
Not fair, really -- a bootleg of a concert where Elvis came on as a special guest.  "This is a song Elvis wrote, and I stole off him," Nick introduces it.  Well, for the record, here is Elvis's version; Nick's is on Rose of England. I happen to know that Nick and Elvis did a whole show together in San Francisco last Friday night, singing each other's songs -- I'll bet this one was on the set list. It KILLS me that I missed that show.

10. "Gai-Gin Man" / Nick Lowe
From Party of One (1995)
Oh, come on, Shuffle, twist the knife!! I know he's still out on the West Coast, singing to other people than myself. From the greatly underrated Party of One  -- Dave Edmunds, producer! -- a spanking little rockabilly number about a tall blue-eyed man touring Japan. (Remember what a big hit "Bay City Rollers We Love You" was in Japan?)  A bit of a novelty number, maybe, but trust me, it's more fun than a barrel of Arctic Monkeys.

Monday, April 30, 2007

“Maimed Happiness” / The New York Dolls

If, like me, you missed the New York Dolls the first time around, this 2006 reincarnation -- at least with the two surviving members, Sylvain Sylvain and David Johansen – may seem like a big case of “So what?” Rockpile reuniting -- that would excite me; a Kinks reunion would have me over the moon. But I don’t think the world was holding its breath waiting for One Day It Will Please Us To Remember Even This. (From that wry title, I suspect Syl and David know this perfectly well.) The eyeliner and platform boots that were so groundbreaking in the early 1970s have lost their shock value; all the punk bands they inspired took that jam-kicking energy long ago and made it business as usual.

Still, any David Johansen is better than no David Johansen. I enjoyed his solo act in the late 70s, I got a kick out of his performances as the pompadored lounge-lizard Buster Poindexter, and his Mansion of Fun show on Sirius is the best reason for subscribing to satellite radio. David Johansen’s not a great singer or a great songwriter, but I dig his dark, campy sense of fun. And what these songs do have is that off-kilter sensibility that made the New York Dolls special back in the day.

“Maimed Happiness” is a wonderful oxymoron of a song (how long have I been waiting to use that word in a rock review?) about midlife resignation. I suppose you could see life this way at age 22, but this sort of philosophy doesn't usually ripen without years of disillusionments. “It’s a maimed happiness,” Johansen announces in that gravelly voice, adding wearily, “I keep trying to acquiesce . . . Life takes a lot of finesse.” He’s not fighting it, just trying to wriggle through safely. Behind him, the song ambles along like an early 60s pop ballad -- four chords, a touch of electric piano atop the drums and strumming guitars. A sax wanders in sighing here and there, strings (or the synth equivalent thereof) underlying the bridge, but nothing too passionate. “Don’t know if there’s that much to be said / For this world or the time that we spend,” Johansen croons in the bridge; but, he points out, “I’d die, then I’d want to live / This wasted life over again.” Sure, things are crappy, but what are our options?

The sense of mortality running through this, you just wouldn't get that from a typical twenty-something. “Yeah I been to the doctor,” Johansen sings, with a shrug. I can just see him, electrodes taped to his chest, coughing on the doctor's command. “He said there ain’t much he could do / You got the human condition / Boy I feel sorry for you.” I love the submerged chuckle in his voice there. Might as well get used to it, he's saying. It's true, some people are naturally inclined to see the dark side of things: “There’s a sorrowful joy / I’ve known since I was a boy / Joyful sorrow I guess / It’s a maimed happiness.” The glass is half-empty AND half-full at this moment, and I feel as if finding that poise is a victory in itself. The happiness will always be maimed – but there will always be happiness. I'll take that.

After thirty-some years -- after seeing their old bandmates self-destruct, drop out, and die -- the Dolls are rock survivors. They've come back to us with a little hard-won wisdom, and that in itself makes the whole reunion thing worth it.

Maimed Happiness sample