Showing posts with label david cassidy. Show all posts
Showing posts with label david cassidy. Show all posts

Tuesday, November 21, 2017

RIP David Cassidy

"I Think I Love You" /
The Partridge Family

Yikes!

I have been dreading this coming. Yeah, I weathered the early deaths -- Jim Morrison, Janis Joplin, Jimi Hendrix, Mama Cass, Keith Moon -- with a mantra of Too Young, Too Soon. Then came John Lennon's death -- torn from us by gun violence! I can only wish I was in the UK to attend Dusty Springfield's funeral. And then there's my belated grief at the cruel loss of Harry Nilsson, dying earlier than he should've (and never acknowledged as the genius he was). Ditto for Kirsty McColl.

But now here we are at the crossroads. I'm ruefully prepared (with mourning gowns and all) to be devastated when 60s icons like Paul McCartney or Ray Davies give up the ghost. I nervously expect we've got a few safe years for my 70s go-to guys Graham Parker, Elvis Costello, Joe Jackson, and Nick Lowe.

But David Cassidy? David F***KING Cassidy? He was only 67, ferchrissake. Taken down by dementia, arthritis, and a long history of substance abuse. At the height of his pop stardom in 1974, a teenage fan even died amid the frenzy at one of his concerts. He may have been a manufactured pop star, but the charisma  -- as this fangirl can attest -- was very very real.

In my personal fangirl history, David Cassidy has a whole chapter to himself. In 1970 -- just before The Partridge Family launched -- he riveted me with a guest spot on Bonanza, America's favorite TV series at the time. He was so cute, for once I paid no attention to Little Joe. When 16 Magazine --or was it Tiger Beat? -- announced that he was about to star in his own show, I was so primed for it. And when the Partridge Family finally debuted, it was so much more endearing than even I could have expected. For a few months there -- okay, maybe a year -- he occupied my every waking day and night.  And let's be honest, ladies -- do we not cherish forever the objects of our pop obsessions?


I prefer to see David Cassidy as one of pop music's tragedies. Coming from a showbiz family (dad Jack Cassidy, stepmom Shirley Jones, his Partridge Family mom) he had all the lucky breaks. His slim talent vaulted him into this stratosphere where only the strong survive. And perhaps he was never strong enough.

But on the other hand -- God, he was cute. That sparkle in his eyes, that suggestion of a dimple in his smile. The glossy flop of brown hair. Nobody could rock hip-hugger bellbottoms like that young man.

Like so many girls of my time, I fell for it.

And hearing that he is no longer with us? I am, against all reason, peculiarly devastated.

Saturday, September 09, 2017

First Song on the Shuffle

"How Can I Be Sure" /
Shelby Lynne

Complicated history here. Felix Cavaliere's the Young Rascals (or at this point had they conceded that they should just be called The Rascals?) released this song in 1967, as a teaser for their album Groovin'. I heard the single on the radio all right--WIFE Good Guys radio in Indianapolis--and I'm pretty sure my older brother Holt owned the album. (Even now it's probably mouldering away in a cardboard box in some ex-girlfriend's garage.) I preferred the lazy psychedelia of the title track, with its flower-child bird tweets and bursts of lush harmony, but the minor-key waltz of "How Can I Be Sure?" was a close second. Yes, it had corny strings and even a Parisian-cafe accordion, but there was a haunting sense of emotional limbo at the end of every verse. (And that plinking electric piano, like a neurotic tap on the shoulder . . . )

Dial things forward, and we get the next charting of this song, in the UK in September 1970 for my girl Dusty Springfield. It's a perfect song for Dusty, with her contralto throbbing with vulnerability. In her hands, Cavaliere's cry of adolescent uncertainty became a weary anthem of a heart that had been broken too many times already. Yeah, teen idol David Cassidy finally boosted this song to #1 in the charts with his cover version in 1972. (Disclaimer: I spent a good 6 months of my life in love with David Cassidy. Never you mind when that was.)  But Cassidy just copied Cavaliere's take. Dusty's was something richer, and deeper.

So it's no surprise that the gifted singer/songwriter Shelby Lynne would have included this on her 2008 homage to Dusty Springfield, Just a Little Lovin' . And hand it to Shelby -- her "How Can I Be Sure" is even more tortured than Dusty's take. Lynne goes Dusty one better -- she's not just about love anymore. When she punches out the phrase "In a world / That's constantly changing," it becomes a politically charged signal for a world gone off the rails.


This is the album that turned me on to Shelby Lynne, who I personally think is one of the great singer/songwriters of our time. Okay, anybody who'd dedicate an entire album to Dusty Springfield would already have my vote, but everything else I've heard from her, I've loved. She's got darkness, she's got sincerity, she's got brains. She started out country, where she never got the love she should have; she went more pop and the wider audience gave her at least some of the respect she deserves.

Her voice is twangier than Dusty's, but still in that same musky contralto range, and like Dusty she conveys an undertone of tragedy. (In Shelby's case, that's a no-brainer -- she and her sister Alison Moorer as teenagers saw their abusive father shoot their mother to death -- so, yeah, whiners, top that.) Like Dusty, she screens an ambiguous sexuality behind an intensely private persona.

Yeah, it's a song about unstable mental states. ("Whenever I--I am away / From you / I wanna die. . . ." Trust is in short supply -- "How do I know? / Maybe you're trying to use me / Flying too high can confuse me" -- and the singer is pleading for mercy ("Touch me / But don't bring me down.")  And like Dusty, Shelby flings her hearts into those phrases, opting for the downward curl of pessimism.

Back in 1967, "don't bring me down" was no doubt a drug reference. In 2008, it's all about not being disheartened for the brave fight ahead.

Either way, the song builds to that last wonderfully inarticulate verse: "How can I be sure? / I really really really wanna know / I really really really wanna know..." Felix Cavaliere and David Cassidy were asking a girlfriend to commit. Dusty was asking a lover to offer safe haven.

Shelby Lynne? She's throwing down a gauntlet. Account for yourself, people.