Showing posts with label jerry lee lewis. Show all posts
Showing posts with label jerry lee lewis. Show all posts

Wednesday, November 17, 2010

WEDNESDAY SHUFFLE

Another week older, and yet no wiser....

1. "Pictures in the Sand" / The Kinks
From The Great Lost Kinks Album
Ray Davies in music hall mode -- all he needs is a straw boater, striped blazer, and cane.  No wonder this catchy little bit of nonsense ended up on The Great Lost Kinks Album, a collection of odds and ends that Ray never intended to be released. (He even had to sue the record company to get them to withdraw it from the stores.) But we Kinks fans are nothing if not completists; TGLKA is a must-have in any Kinks Kultists kollection.  

2. "People Are Talking" / Alan Price
From Travellin' Man (1986)
Again, I am outed for my music geek obsessions -- yes, I did buy this obscure Alan Price vinyl LP on eBay and transfer it to digital. Wanna make something of it? It's a lovely romp, full of old rock 'n' roll covers and new songs that sound like old rock 'n' roll covers, and Alan is clearly having a blast. "People are talking / About me and you  / The things they are saying / Are making me sad and blue" -- fill in the gaps with boogie woogie piano and you've got the idea. 

3. "I Saw Her Standing There" / Jerry Lee Lewis and Little Richard
From Last Man Standing (2006)
Well, at least we're getting to a well-known song, though not the obvious rendition. But that's the point of this duet album, giving all these classic songs fresh life in the hands of Jerry Lee and a surprising roster of collaborators.  This track is an irresistible example -- once you've heard Little Richard's trademark yelp after the line "How could I dance with another?," it'll never again sound  right without it.

4. "Scar Tissue" / The Red Hot Chili Peppers
From Californication (1999)
Man, do I love this album. That lounging funky rhythm, the drawling vocals -- "With the birds I’ll share this-a lonely view" -- existential poetry married to a soaring rock riff. This song always gets me where I live, and I have no idea why.

5. "'Till We're Nude" / The Replacements
From All For Nothing/Nothing at All (compilation)
Existential? Soaring?  Nope, it's just the Replacements, blasting out angsty punk-ish rock and roll in their grungy basement. "Me and you, we ain't through / We ain't through until we're nude" -- sometimes that's as much of a social contract as you need.

6. "A-OK" / Motion City Soundtrack
From I Am the Movie (2003)
I refuse to call these guys an emo band. It's true that most of their songs consist of Justin Pierre parsing and probing the fine shadings of his own neuroses.  So what? With that thrashing beat and the hyperkinetic guitars, it's impossible to feel mopey. "Someday you'll understand / That everything is A-OK" -- so she insists, but he's not buying it.  

7. "Dear God (Sincerely M.O.F.)" / Monsters of Folk
From Monsters of Folk (2009)
When I first got this heady album, I pored over it, trying to pin down which song sprang from which musician in this "super-group" -- M. Ward? Yim Yames (a.k.a. My Morning Jacket's Jim James)?  Bright Eyes' Conor Oberst? But this swirly, synthy first track made it easy -- they each sing one verse!  


8.  "It's Alright" / The Kinks
From The Kinks (1964)
Jump back 45 years in time (!!) to this early Kinks track, stripped-down and primitive rock and roll. (In glorious mono!)  The Kinks never were quite convincing as a blues band, but it's fun to hear them give it a go, wheezy mouth harp and all. 

9. "Oxford Comma" / Vampire Weekend 
From Vampire Weekend (2008)
Back into the indie world, with a vengeance. Something about these guys I've loved since my first listen....

10. "American Pie" / Don McLean
From American Pie (1971)
Might as well end the evening with the entire history of rock and roll, packed into one grab-bag of pseudo-cryptic lyrics -- a fluky classic, but a classic nonetheless. Scroll down here to get the lowdown.

Wednesday, September 08, 2010

WEDNESDAY SHUFFLE

My son told me yesterday that when he hears me say I like someone's music, he automatically assumes it's someone English. Hmmm -- am I that transparent? Let's consult the shuffle and see...

1. "When It Sings" / Elvis Costello
From North (2003)
If I'd still been listening to Elvis Costello in 2003 -- which I wasn't -- I too might have been baffled by this tender album of jazz-drenched ballads. But finding it retrospectively, after Elvis' marriage to Diana Krall, it all made perfect sense. And doesn't Elvis live in Vancouver now? Does he still qualify as English?

2. "The Things We Never Said" / Thea Gilmore

From Rules for Jokers (2002)
Ha! Thea isn't English; she's from Scotland. A wonderful singer-songwriter, by the way.

3. "London Look" / Herman's Hermits
From The London Look EP (1968)
Not only a song by an English band, a song about London from an English band -- I am not doing so well here. What's worse, the Hermits did this song exclusively for a promo EP, sponsored by Yardley Cosmetics (remember the cologne Oh! De London? I wore nothing else for a year.) The basic idea is to stuff in as many London place names as possible. Who cares? It's a delightful, delicious little track.

4. "Nervous on the Road (But Could Not Stay Home)"/ Brinsley Schwarz
From Nervous on the Road (1972)
Despite the affected country drawl on this romping picaresque number about a touring musician, Nick Lowe is English, it's true.

5. "Don't Be Ashamed of Your Age" / Jerry Lee Lewis and George Jones
From Last Man Standing (2006)
Aha! Nobody's more American than that old rockbilly devil Jerry Lee and the king of country music George Jones. Normally I hate duet albums; this odds-defying LP is the exception to the rule. Listen to these two sly old dogs twiddling through this Bob Wills chestnut.

6. "Saint Beneath the Paint" / Nick Lowe
From Radio Daze (1984)
Not just one but two Englishmen -- the aforementioned Nick Lowe and his sometime colleague Paul Carrack, on particularly juicy bootleg live album. This obscure track from Nick's obscure LP The Abominable Showman (for that title alone he ought to be hung) is greatly improved with harmonies by Paul and a little boogie-woogie piano.

7. "Fool for a Lonesome Train" / Ben Harper & the Innocent Criminals
From Life Line (2007)
Another American -- whew! -- singing a trumpery bit of country blues. I still haven't quite figured out the riddle that is Ben Harper, but I keep on trying -- that voice can make any song sound better than it should.

8. "Rivers of Babylon" / The Melodians
From The Harder They Come (1972)
Do Jamaicans count as English (being former colonials) or American (being in the same hemisphere)? Like most American kids my age, Jimmy Cliff's Jamaican gangster movie was my introduction to reggae, and I played it so often, it's still hard-wired in my memory. "And let the words of my mouth / and the meditations of my mind / be acceptable in your sight" -- I still sing this song under my breath whenever I hear that blessing in church.

9. "Queen of Sheba" / Nick Lowe
From Nick the Knife (1982)
Not this one again! (Like I mind.)

10. "Knapsack" / Amy Rigby
From Diary of a Mod Housewife (1994)
Well, at least we're ending with an American -- not only an American, but a country punk female (talk about defying cliches). Fantasizing about the guy who checks her bags at the bookstore -- I picture the old Shakespeare and Company on the Upper West Side -- that's enough to fuel this Mod housewife's daydreams for week.

Monday, March 26, 2007

“Before the Night Is Over” / Jerry Lee Lewis and B. B. King

Duet albums? I’m sick of ‘em. The record companies have jumped on this gimmick to revive an aging artist’s career at the end of his/her days – Frank Sinatra and Ray Charles, two cases in point. So I was skeptical about buying last year’s Jerry Lee Lewis duet album – but I shouldn’t have been.

I should have been able to tell from its title, Last Man Standing (not to mention the cover shot of Jerry Lee hammering away at a grand piano that’s burst into flames), that this wouldn’t be a mere exercise in coasting. No collaborators made the cut unless they were willing to let Jerry Lee, the original wild man of rock ‘n’ roll, tear loose and take the lead. And it works because his playing AND singing are in prime form. The liner notes claim that this project breathed new life into Jerry Lee, who'd been sick and basically out of commission until rock 'n' roll came to the rescue. You sure can't tell it, though, by listening to this album. Respect must be paid.

My favorite track, from the very first listen, has been track #2, “Before the Night Is Over,” which teams Jerry Lee up with B.B. King, two old masters trading off sizzling solos between the verses. Jerry Lee so completely rocks the joint with his honky-tonk piano, B.B.is hard put to take the spotlight when it comes his turn -- and to give him credit, he seems happy just to let Jerry Lee shine. God bless both of them.

It’s a cunning old blues song by Ben Peters, sung by Jerry Lee with just the right amount of sexy swagger. Just get a load of the chorus: “And before the night is over you're gonna be in love / I bet you by the mornin', I'll be the only one that you'll be thinkin' of.” The way he hits that word “love” -- now there is CONFIDENCE. Jerry Lee may be 80 years old but he still knows what it means to have mojo. Those insouciant glissandos, the twiddling grace notes, the pounding chords – here is a man in charge. Listening to this for the first time in my car, I couldn’t help but shift in my seat and think, “All right, Jerry Lee, show me what you’re made of.”

Of course it’s also wheedling, and more than a little opportunistic: “I can tell by the way you're a little bit lonesome baby [“just like Jerry Lee," he can’t resist tossing in, winsomely] / It's just like someone that you're needing to forget / Honey, that's the same thing with me / I've been wonderin' baby, why don't we / Just make believe it ain't the first time we have met.” Nothing like taking advantage of a woman when she’s on the rebound. All the same, that chuckling drawl lets her know that he won’t feel hurt if she turns him down. Nothing ventured, nothing gained. But if she’s up for a little fun, fun’s what this tomcat can deliver. Grrr-owll.

Confession time: I still prefer to picture Jerry Lee as Dennis Quaid in the movie Great Balls of Fire, and, okay, I have a thing for Dennis Quaid. Until I saw that movie I didn’t get the point of Jerry Lee. But listening to this new CD, with this wild man raging against the dying of the light, I have to say…whoo-ah.

http://music.download.com/jerryleelewis/3600-8735_32-100031155.html