Showing posts with label tim easton. Show all posts
Showing posts with label tim easton. Show all posts

Saturday, June 25, 2011

SATURDAY SHUFFLE

A lovely summer night -- crickets chirping, night breezes whispering -- time to blast it all open with some rock 'n' roll!

1. This Is Where I Belong / Ron Sexsmith
From This Is Where I Belong: The Songs of Ray Davies (2006)
Probably the best collection of Kinks covers I know, with dynamite tributes from Fountains of Wayne, Fastball, Minus 5, Yo La Tengo; best of all, this was the album that first introduced me to the work of Bill Lloyd and of Ron Sexsmith, both of whom have since landed several albums in heavy rotation on my music players. Ron delivers this early Kinks tune with such earnestness, I just had to hear more. And that's how it all started...

2. Next To You / Tim Easton
From Ammunition (2006) 
Here's another bit of serendipity -- I discovered Tim Easton through this track on a New West Records sampler, that I picked up who knows where.  Just goes to show you should always listen to those samplers.  I love his slightly scratchy voice, the harmonica, the loping rhythm of this track; sometimes the simplest expressions of love ("Just let me be next to you / I want to understand . . . ") are the best.

3. Look a Little on the Sunny Side  / The Kinks
From Everybody's In Show Biz (1972)
One of my first Kinks albums, Show-Biz holds a special place in my heart; to me, every track is a winner.  Here we get campy Ray mincing about this bouncy little tap dance (that old music hall influence), innocently (HA!) describing the vagaries of the music business. And I do mean vagaries: "Sing 'em the blues and then they ask for a happy tune / And when you start to smile, they say / 'Gimme the rhythm and blues,' and when you  / Give 'em the rhythm and blues, they simply smile and say / 'We didn't want to hear you play, we didn't like you anyway.'"  Well, that's the Kinks' career in a nutshell, no?

4. Keep This Party Going  / The B-52s 
From Funplex (2008) 
I was really sorry that this recent B-52s CD didn't live up to those great 80s albums.  I can't quite figure out why -- this is a fun number (I bet it's a hoot live), but it lacks that extra wackiness that made them the quirky dance queens of New Wave.  All the elements are here -- Cindy and Kate's almost offkey harmonies, Fred's lounge-lizard rapping, over an insistent dance-party rhythm track -- but it just doesn't measure up. Thank god we've still got The B-52s, Whammy!, and Cosmic Thing...

5. I'll Follow the Sun  /  The Beatles
From Beatles 65 (1965)
Okay, I know this now appears on a CD called Beatles for Sale, the British version knocked out in a hurry for the Christmas 1964 sales season.  But the American album I grew up with was Beatles 65, and I played that baby so much, the album cover is now only held together with masses of stiff masking tape. And this little folker is one of my top tracks from this album, a standard-issue kiss-off song sung with that special tender Paul McCartney charm.  "One day / You'll look / And see I've gone / But tomorrow may rain so / I'll follow the sun."  Those odd climbing intervals, that alternation of short lines with a long fluid phrase, and then he reverses it:  "And now the time has come / When so my love / I must go / And though I lose a friend / In the end you will know / Oh oh-oh oh.."  Sheer instinctive genius.

6. Road Trippin'  / Red Hot Chili Peppers
From Californication (1999)
Proving that even a psych-punk-funk bunch of skateheads from California could turn out yearningly beautiful folk-rock -- with strings, even! -- so wistful it'll break your heart.  I like most everything of RHCP I've heard, but to me this album stands head and shoulders above the rest.  One of my favorite albums of the 1990s. Granted, the 1990s, but still...

7. Love Is an Outlaw / Tom Gallagher
From Age of the Wheel (unreleased)
The early and untimely death of my dear friend Tom Gallagher prevented him from ever getting the audience he deserved.  His unreleased album is full of superb tracks like this, with its lazy, loungy beat, plangent guitar riffs, winsome melody, and sage lyrics.  I'm happy to email this track to anybody who's curious: it's how we keep his memory alive.

8. Big Boys / Elvis Costello 
From Armed Forces (1978)
Another Iconic Album for me.  And this song has so many great lyrics, from that opening "I am starting to function / In the usual way"  through " to "Worrying about your physical fitness / Tell me how you got the sickness" and "I was down upon one knee / Stroking her vanity."  So what if it's more clever-sounding than truly wise?  He's drunk on allusive word play, and to me that tempers the Angry Young Man cynicism with his giddy enthusiasm.  I love the thrusting bass and drums giving him his marching orders, and those Steve Nieve organ riffs? Perfection.

9. On a Promise / Fine Young Cannibals 
From Fine Young Cannibals (1985)
The hoarse soulful voice of Roland Gift, matched with the English Beat's David Steele and Andy Cox -- well, Fine Young Cannibals had all the right elements lined up, that canny mix of R&B and ska and New Wave smartness. "She Drives Me Crazy" is IMO one of the best songs of the 1980s, but it was a pretty solid debut album all around, as this brooding track attests....


10. If I Said  / Colin Blunstone
From Echo Bridge (1996)
So what was Colin Blunstone doing all those years between being in the Zombies and being in the Zombies again?  Lots of things, but this solo album is perplexingly lovely -- it should have been a big hit.  This guy has one of these greatest voices in pop music; it's just heartbreakingly beautiful (yes, and sexy as hell).  Sure, he loads it up with reverb and romantic production values, all strings and maracas and a sax solo in the middle eight. It should sound cheesy, but it doesn't, because Colin Blunstone can sell wistful yearning like nobody else in the biz.

Wednesday, August 11, 2010

WEDNESDAY SHUFFLE

It's back! (Sorry for the week's lapse). And better than ever, I'm tempted to add -- except there's no way of knowing ahead of time.

1. "Heartbeat" / The Knack
From Get the Knack, 1979
Hard to resist a cheery power-pop gem like this one, on the same album as the classic "My Sharona." He's SO excited by his new lover -- "Heartbeat, why do you miss / When my baby kisses me?" One of the great philosophical questions...

2. "Broke My Heart" / Tim Easton
From Porcupine (2009)
Another bit of philosophy, delivered with alt-country twang, as Tim Easton hoarsely declaims: "There's only two things left in this world / Love / And the lack thereof." It's the flip side of love, after she's dumped him -- though it's quite a punchy rocker, with an insidious hook.

3. "Please Mr. Postman" / The Marvelettes
From Please Mr. Postman (1961)
All those early Beatles covers -- I still think of them as the originals. But there's a certain pleasure in hearing the classic girl group version, Motown's first #1 pop single back in 1961. I love the idea that the Beatles discovered all this American black music through records American sailors sold while in port in Liverpool. Most Americans weren't listening to it then!

4. "Flesh Cartoons" / Robyn Hitchcock
From Eye (1990)
Another whimsically surreal artifact from the master of folk-psych, Robyn Hitchcock, coolly distancing himself from a gallery of absurd characters. "I'm just watching on my own flesh cartoons" -- what the hell is going on in this song? Who cares?

5. "After Hours" / The 88
From The 88 (2010)
Hello -- you're not supposed to be hearing this song yet; it's from an unreleased album that I'm reviewing. Cute little indie-pop band from California, opened for Ray Davies last tour? Trust me, you'll like them.

6. "Business Time" / Flight of the Conchords
From Flight of the Conchords (2008)
Funniest Barry White send-up ever, from this New Zealand musical duo (you may have seen their HBO comedy show). "Next thing you know, we're in the bedroom . . . you're wearing that baggy old ugly teeshirt you got from your work several years ago . . . you know the one, baby, with the curry stain . . . You know when I'm down to my socks, it's time for business -- that's why they call them business socks!" Making love, making love for two, making love for two minutes!

7. "So Heavy" / Nick Lowe
From The Wilderness Years (compilation)
A deservedly obscure mid-70s Nick Lowe track, from those post-Brinsley Schwarz, pre-Rockpile years. Even Nick can't remember anything about this outtake.

8. "Drinkin'" / Reel Big Fish
From We're Not Happy 'Til You're Not Happy (2005)
An ebullient little bit of ska-punk -- "If I go out drinkin' / Then I can stop thinkin' / About how the world has done me wrong." Forget the usual lugubrious drunkard's anthem, this one staggers down the alley with a hectic tempo and a cheerful flourish of horns.

9. "Sing A Sad Song" / Merle Haggard
From Strangers (1965)
Complete change of pace here, slowing down to a spur-jangling country lilt, from Merle Haggard's debut album. Heartbreaks by the number, in true country style.

10. "The Right Place" / Monsters of Folk
From Monsters of Folk (2009)
More rootsy rambling, this time from the indie world, with Yim Yames (a.k.a. My Morning Jacket's Jim James) happily harmonizing with his fellow M.O.F.-ers M. Ward, Conor Oberst, and Mike Mogis. I loved this album so much more than I expected to -- whether you call it a side project or a super-group, it's still amazing. Hope it's not a one-time deal!